Attempting to explain the world from the images we see is not always easy. The logical contradictions between what we see and think, between what we think and dream, between dreams and the truth, puts on verge of war to any human being.
Yamilia tries, from its philosophical analysis, to explain the origin and purpose of things and she took the stones as a reference and means to achieve it. Unfold and convert their language and poetry in a game that goes from metaphysics to the more rational mathematics is her adventure and her end.
His works sometimes colored, not with a color at random but with the rationality of his speech, makes a game between the stones, her deep interior and the others, in an attempt to explain human behavior and each of the smallest things. Yamilia, perhaps without knowing, express her interior in a strong and steady eroticism intermingled with the election of a stone or an angle or an aggressive encounter with a phallic stone that tenderly steal the imagination from the spectator.
Dark or light colors, strong or weak, is a trip to the inquiry of the equally mysterious light that takes her work, sometimes by assault, with the discreetly use of real effects.
Delusion mystify us and makes us believe in what is real and also in what is not, this world of shadows and colored stones is their way.
Pedro Pablo Oliva Pintor Cubano
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